Places to see in ( Mantova - Italy ) Palazzo Te
Places to see in ( Mantova - Italy ) Palazzo Te
Palazzo del Te or Palazzo Te is a palace in the suburbs of Mantua, Italy. It is a fine example of the mannerist style of architecture, and the acknowledged masterpiece of Giulio Romano. Although formed in Italian, the usual name in English of Palazzo del Te is not that now used by Italians. The official modern name, and by far the most common name in Italian, is Palazzo Te. The English name arises because Vasari calls it the Palazzo Del T, and English-speaking writers, especially art historians, still most often call it Palazzo Del Te.
Palazzo del Te was constructed 1524–34 for Federico II Gonzaga, Marquess of Mantua as a palace of leisure. The site chosen was that of the family's stables at Isola Del Te, on the edge of the marshes just outside Mantua's city walls. The name comes from tejeto, the grove that once grew on what was then an islet in the marshlands around the core of the city. Giulio Romano, a pupil of Raphael, was commissioned to design the building. The shell of the palazzo, erected within eighteen months, is basically a square house containing a cloistered courtyard. A formal garden complemented the house, enclosed by colonnaded outbuildings ending in a semicircular colonnade known as the 'Esedra'.
Like the Villa Farnesina in Rome, the suburban location allowed for a mixing of both palace and villa architecture. The four exterior façades have flat pilasters against rusticated walls, the fenestration indicating that the piano nobile is the ground floor, with a secondary floor above. The East façade differs from the other three by having Palladian motifs on its pilaster and an open loggia at its centre rather than an arch to the courtyard. The facades are not as symmetrical as they appear, and the spans between the columns are irregular. The centre of the North and South facades are pierced by two-storey arches without portico or pediment, simply a covered way leading to the interior courtyard. Few windows overlook the inner courtyard (cortile); the colonnaded walls are decorated on all sides by deep niches and blind windows, and the intervening surfaces are spattered by 'spezzato' (broken and blemished plaster) giving life and depth to the surfaces.
Once the shell of the building was completed, for ten years a team of plasterers, carvers and fresco painters laboured, until barely a surface in any of the loggias or salons remained undecorated. Under Giulio Romano's direction, local decorative painters such as Benedetto Pagni and Rinaldo Mantovano worked extensively on the frescos. These frescoes remain today and are the most remarkable feature of the Palazzo. The subjects range from Olympian banquets in the Sala di Psiche and stylised horses in the Sala dei Cavalli to the most unusual of all — giants and grotesques wreaking havoc, fury and ruin around the walls of the Sala dei Giganti.
These magnificent rooms, once furnished to complement the ducal court of the Gonzaga family, saw many of the most illustrious figures of their era entertained such as the Emperor Charles V, who, when visiting in 1530, elevated his host Federico II of Gonzaga from Marquess to Duke of Mantua. One of the most evocative parts of the lost era of the palazzo is the Casino della Grotta, a small suite of intimate rooms arranged around a grotto and loggetta (covered balcony) where courtiers once bathed in the small cascade that splashed over the pebbles and shells encrusted in the floor and walls.
In July 1630, during the War of the Mantuan Succession (1628–31), Mantua and the palace were sacked over three days by an Imperial army of 36,000 Landsknecht mercenaries. The remaining populace fell victim to one of the worst plagues in history that the invaders had brought with them. The Palazzo was looted from top to bottom and remained an empty shell: nymphs, god, goddesses and giants remain on the walls of the empty echoing rooms. Part of the Palazzo today houses the Museo Civico del Palazzo Te, endowed by the publisher Arnoldo Mondadori. It contains a collection of Mesopotamian art.
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Southern Italy and Sicily - Genuine Travel Guide | Footloose in Italy 5
Footloose in Italy 5 ~ Touring Southern Italy and Sicily
In their 5th visit to Italy, UK filmmakers Debra and Dave travel 900 miles across the very south: featuring fairytale pointy houses in Alberobello, cave dwellings in Matera, the Pollino National Park, then top resorts of Tropea, Scilla and a ghost town. Touring Sicily includes Cefalu, Palermo in a tuktuk taxi, Valley of the Temples, Baroque Ragusa and Syracuse. Film ends with a visit to lovely Taormina and an amazing volcano trip to Etna.
The Royal Palace of Naples or Palazzo Reale di Napoli or Palazzo Riale Napule - Naples Italy - ECTV
The Royal Palace of Naples (Italian: Palazzo Reale di Napoli, Neapolitan: Palazzo Riale ‘e Napule) is a palace, museum, and historical tourist destination located in central Naples, southern Italy.
It was one of the four residences near Naples used by the House of Bourbon during their rule of the Kingdom of Naples (1735–1816) and later the Kingdom of the Two Sicilies (1816-1861). The others were the palaces of Caserta, Capodimonte overlooking Naples and Portici on the slopes of Vesuvius.
The palace is on the site of an earlier residence, which had housed the former viceroy Don Pedro de Toledo, Marquis of Villafranca. Construction on the present building was begun in the 17th century by the architect Domenico Fontana.[1] Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. It was Charles who build the other three palaces in locations more peripheral to the city center. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a new wing was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided (by the Decree of the Minister Antonino Anile) to transfer here the contents of the National Library (until then in the palace of National Archaeologic Museum). The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.
Top 10 Restaurants to Visit in Caserta | Italy - English
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Setting the criteria for our list of the 10 best restaurants in Caserta was the easy bit. Anywhere we felt compelled to revisit again and again was instantly in. We’re excited to give you Caserta’s top 10 restaurants to visit in Tropea, presented in no particular order. In our list surely the ultimate guide to the best restaurants in Caserta – you’ll find it all: the best new openings, classic cheap eats.
What they all have in common is that they serve some of the best dishes in Caserta best restaurants for any budget, with service befitting the setting. In short, if you’re looking for a great meal, you’ve come to the right place.
Caserta has no shortage of excellent restaurants in Caserta. Almost every month, there is another new spot to eat opening in the city. Since we are spoiled for choice on where to dine, it might be hard to pick where to eat next. So to help you figure out the places you need to try, we've gathered up a bucket list of the best restaurants in Caserta that you won't regret going to.
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There are many beautiful restaurants in Caserta. Italy has some of the best restaurants in Caserta. We collected data on the top 10 restaurants to visit in Caserta. There are many famous restaurants in Caserta and some of them are beautiful restaurants in Caserta. People from all over Italy love these Caserta beautiful restaurants which are also Caserta famous restaurants. In this video, we will show you the beautiful restaurants to visit in Caserta.
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Best Restaurants and Places to Eat in Caserta, Italy
Caserta Food Guide. MUST WATCH. We have sorted the list of Best Restaurant in Caserta for you. With the help of this list you can try Best Local Food in Caserta. You can select best Bar in Caserta.
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List of Best Restaurants in Caserta
Chillout Pub
Flaming Pub
Moderna Vineria Vigna Re'
Pizzeria I Masanielli
Antica Hostaria Massa
La Reggia Dei Borbone
I Masanielli - Pizzeria da Sasa Martucci
La Quinta Pinta
O'Tianiello
Ristorante la Torre dei Falchi
The Royal Palace of Caserta: The Garden
Overview of the gardens of Reggia di Caserta (Italian with English subtitles)
Palace of Saint George, Genoa, Liguria, Italy, Europe
Palazzo San Giorgio, Palazzo delle Compere or St George, is a historic building of the most important and popular of Genoa. Currently it houses the headquarters of the Port Authority of Genoa. The building, including in the district of Molo, consists of two distinct parts: an older part, a typical example of medieval civil architecture, with the prospect facing the porch of Sottoripa, and a renaissance, facing the sea, in which prospectus, overlooking via the Merchandise, the short street that connects Piazza Loading and Piazza Cavour, near the old port, opens the portal of the main entrance. Initially called the palace of the sea, because it directly overlooking the docks, with the sea that lapped at the foundation, was built and designed by Friar Oliverio, architect and monaco Cistercian, around the middle of the thirteenth century as the town hall; It became the seat of the customs and in the fifteenth century it passed to the Banco di San Giorgio, from which it took its name. Expanded in the sixteenth century, it was completely restored in the second half of the work of Alfredo d'Andrade after a period of decline; from 1903 it houses the offices of the Port of Genoa. The building is today in a double aspect to the porch of the Ripa the thirteenth century building, in red brick and stone base, and the sixteenth-wing reaching out to the harbor, with the painted plaster. The part to the east, facing the facades of Sottoripa, is medieval, dating from 1260, which today we see in its restructuring nineteenth century; gray stone promontory square on the ground floor and exposed brick on the upper floors, crowned by Ghibelline battlements, the base has a portico consisting of five pointed arches supported by four columns and a pillar at each end. The facade, lightened by three lights and four, is devoid of ornaments: There was a time a fresco, made in the late fifteenth century by Carlo Braccesco, said Carlo del Mantegna, depicting St. George and the dragon. Of this painting, still well preserved in the eighteenth century, there were still traces of the first nineteenth century restorations, as evidenced by several authors of the time. Through the central arch of the portico opens the entrance, which was one of the building until 1912, when the new entrance was opened on the sea. Above the portal is a mask with a figure of a lion, and two other small lion heads you see on the edges at the sides of the porch; these small sculptures, Gothic but with influences of ancient Greece, were from the palace representative of the Venetians in Constantinople, called the Pantocrator, that the Genoese had obtained by the Byzantine emperor Michael VIII Palaeologus for their help against the Empire Latin Eastern and decided in the Treaty of Nymphaeum. Next to the entrance there is the plaque celebrating the foundation of the building. Via della Merchandise overlooking the wing century, with its facade entirely covered with frescoes by Raimondo Sirotti that follow those made at the beginning of the twentieth century by Ludovico Pogliaghi, which in turn had rebuilt, reinterpreting them, the original of Tavarone. The painted decoration of the facade plays a marble cladding with rusticated ground floor and pilasters that divide the table into three sections. At the center of the facade, above the imposing marble portal access, is the figure polychrome depicting St. George on horseback slaying the dragon, recurring image in many portals of the buildings of the old town: the saint in the Middle Ages was in fact considered the symbol of the Republic. The subject was freely interpreted by Sirotti in 1990, having disappeared all traces of the original seventeenth century. On either side, from left to right, are painted six statues, bronze color, inside false niches, depicting some historical figures of the Republic: the chronicler Caffaro, the Prince Andrea Doria, the Doge Simone Boccanegra (according to some the painting would represent rather the founder of the palace, Guglielmo Boccanegra), the leader crusader William Embriaco said hammer head, the navigator Christopher Columbus and finally admiral Benedetto Zaccaria. Complete the decoration figures of Janus and Neptune, also in faux bronze, and the emblem of the Conservative of the Sea, the body entrusted with the government of the port at the time of the Republic of Genoa. The facade culminates with the clock tower. From the entrance located in the Merchandise, in the statement to the sea, through a wide staircase leads to the sixteenth-century hall Compere, on the first floor; the living room is surrounded by niches in the walls with statues of the benefactors of the Tour.
Places to see in ( Naples - Italy ) Piazza del Plebiscito
Places to see in ( Naples - Italy ) Piazza del Plebiscito
Piazza del Plebiscito is a large public square in central Naples, Italy. It is named after the plebiscite taken on October 2, 1860 that brought Naples into the unified Kingdom of Italy under the House of Savoy. It is located very closely to the gulf of Naples, and bounded on the east by the Royal Palace and on the west by the church of San Francesco di Paola with colonnades extending to both sides. Other surrounding buildings include the Palazzo Salerno and, its mirror, the Prefecture Palace (on the left arm of the church).
In the first years of the 19th century, the King of Naples, Murat (Napoleon's brother-in-law), planned the square and building as a tribute to the emperor. Soon after Napoleon was finally dispatched to St Helena, the Bourbons were restored to the throne, and Ferdinand I continued the construction but converted the finished product into the church one sees today. He dedicated it to Saint Francis of Paola, who had stayed in a monastery on this site in the 15th century. The church is reminiscent of the Pantheon in Rome.
The façade is fronted by a portico resting on six columns and two Ionic pillars. Inside, the church is circular with two side chapels. The dome is 53 metres high. Occasionally, the square is used for open-air concerts. Artists who have performed here include Elton John, Maroon 5 and Muse. In May 2013, Bruce Springsteen & The E-Street Band gave a concert at the venue.
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Chiesa di Santa Maria Maggiore
La Chiesa di Santa Maria Maggiore, del X secolo, rappresenta il luogo per eccellenza della memoria storica di Vasto.
L'esterno della chiesa è dominato dalla possente mole della torre campanaria, impreziosita da eleganti finestre romaniche, di differente fattura, riccamente scolpite nella pietra bianca nella prima metà del XIV secolo. La torre sorge su un bastione preesistente, tuttora ben visibile, denominato la Battaglia, forse perché un tempo adibito a speciale punto di difesa dell'antico nucleo medioevale. La torre copre la facciata della chiesa, alla quale si accede, quindi, dalla navata di destra. La chiesa, prima ancora del 1735, era a navata unica, con soffitto a capriate, e il suo ingresso era laterale su via Santa Maria. Sull'area dell'attuale ingresso principale esisteva invece un portico dove usavano ritirarsi i catecumeni durante la messa, subito dopo la lettura del Vangelo. Di questa costruzione, risalente al 1234, restano due pilastri ottagonali incastrati nel muro perimetrale e completi di basi e capitelli. Fu nel 1785 che la chiesa venne completamente ricostruita a tre navate.
Entrando nella chiesa colpisce subito la bella ed elegante balaustra a valva che immette nella cripta dove sono custodite le spoglie di San Cesario Martire con vesti da guerriero e con un ampolla contenente il sangue donato da Cesare Michelangelo d'Avalos il 3 novembre 1695 ed invocato dai vastesi contro i terremoti. Nella navata destra si osservano le tombe dei d'Avalos e la cappella dove è venerata la reliquia della Sacra Spina, che si vuole proveniente dalla corona di Cristo portata da Luigi IX il Santo a Notre Dame di Parigi, donata da papa Pio IV a Ferrante Francesco d'Avalos attorno alla metà del Cinquecento.
Nella navata sinistra figurano pregevoli dipinti del 1500 delle scuole veneziane di Paolo Veronese e del Tiziano, come Lo Sposalizio di S. Caterina e L'Ecce Homo. In fondo, La Madonna del Gonfalone, anch'essa del 1500 e Il Battesimo di S. Agostino, sempre della scuola veneziana. Sulla stessa navata è visibile la statua lignea di Santa Chiara, opera notevole della scuola napoletana.
Altri autentici capolavori d'arte sono: l'altare maggiore realizzato nel 1573 da scultori veneziani, il tabernacolo in rame e argento del 1545, l'Ostensorio di rame dorato della scuola di Nicola da Guardiagrele, un prezioso calice donato dai d'Avalos, il coro ligneo della cantoria ed il pregevole organo del 1719.
The church's foundation dates back to the 10th Century and stands as the ultimate site embodying the historical memoirs of Vasto. The external view is dominated by the powerful mass of the bell tower, adorned with elegant Romanic windows, each denoting a different style, richly sculpted in white stone during the first half of the 14th Century. The tower rises on a pre-existing bastion which is still visible, dominated by the Battaglia perhaps a past defence point of the old medieval nucleus. Before 1735 the Church had one nave with a trussed ceiling and the entrance was located on Via Santa Maria. The area of the actual main entrance consisted of a portico where the catechumens used to retreat during the Mass, right after the reading of the Gospel. What remains of this construction traced back to 1234, are two hexagonal pillars wedged into the perimeter walls, complete with bases and capitals. Only in 1785 was the Church completely restructured with three naves.
What catches your eye as you enter the church is the beautiful and elegant valve balustrade leading into the crypt where the remains of Saint Cesario Martyr are kept, dressed as a warrior and with an ampoule containing the blood donated by Cesare Michelangelo d'Avalos on 3rd November 1695. The saint's protection was invoked by the Vasto people during the earthquake. The right nave conserves the tombs of the d'Avalos family and the chapel where the relic of the Holy Thorn is venerated, and which came from the crown of Christ given by Louis IX to the Saint in Notre Dame of Paris and in turn donated by Pope Pius IV to Ferrante Francesco d'Avalos around the middle of the 16th Century.
The left nave displays valuable paintings of the 16th Century belonging to the Venetian school of Paolo Veronese and Tiziano, such as the Lo Sposalizio di S. Caterina and the Ecce Homo. At the back, the Madonna del Gonfalone is displayed, also belonging to the 16th Century with the Battesimo di S. Agostino, of the Venetion school. Other authentic art masterpieces are: the main altar accomplished in 1573 by Venetian sculptors, the tabernacle in copper and silver of 1545, the copper-golden Monstrance of the school of Nicola da Guardiagrele, the wooden choir and prestigious organ of 1719.
Palazzo Colonna in Rome ✌️
A private visit inside Rome's historic Palazzo Colonna
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Caserta Royal Palace Virtual Walking Tour Italy (World Heritage Site) - 4k - with captions
Caserta Royal Palace Virtual Walking Tour Italy (World Heritage Site) - 4k - with captions. The Royal Palace of Caserta is the former royal residence for the Bourbon kings of Naples. It is one of the largest royal residences in the world. Inside you'll find the Grand Staircase of Honour and room after room of history not only that we are visiting the royal theater for the first time. Outside you'll walk a 2-mile long park surrounded by statues, trees, pools, and fountains. Apart from that don't miss the virtual experience at the English garden.
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0:00 - 2:55 How to arrive
2:55 - 6.24 Ticket counter and entrance
6:24 - 13:44 Royal Theater
13:44 - 1:12:47 Royal Park
1:12:47 - 1:44:47 English Garden
1:44:47 - 2:26:05 Royal Apartments
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Rome itinerary: San Nicola in Carcere underground, Teatro Marcello, Santa Maria in Campitelli #rome
Exploring Mount Vesuvius, Italy | Hiking to the top | Indian Couple Travel Vlog
It's day 2 in Italy and we are hiking to the top of Mount Vesuvius, Naples. It's about 9 km (5.6 mi) east of Naples and a short distance from the shore.
The eruption of Mt. Vesuvius - one of the most dangerous volcanoes in the world - in AD 79 destroyed the Roman cities of Pompeii, Herculaneum, Oplontis, and Stabiae, as well as several other settlements.
We hope you enjoy the hike to the crater of Mount Vesuvius with us.
Stay tuned to travel and explore other parts of Italy with us.
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Capri, Italy Walking Tour - 4K - with Captions
This walking tour of CAPRI, ITALY was filmed in part on Saturday June 26th, 2021 and in part on Sunday June 27th, 2021.
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The walk begins at the Marina Grande starting at 11:54 AM. For the best experience, be sure to turn on closed captions [CC] and wear headphones 🎧 as you watch this tour.
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0:00 Drone intro and Map
1:11 Marina Grande
19:33 Funicolare
21:06 Capri Town
23:23 La Piazzetta
30:35 Via Padre Serafino Cimmino
33:04 Church of SS. Salvatore and Santa Teresa
38:50 Via Roma
42:48 la Piazzetta
44:03 La Parisienne Clothing Store
48:51 Church of Santo Stefano
56:24 Via Vittorio Emanuele
1:01:32 Grand Hotel Quisisana
1:04:54 Hotel Luna
1:14:29 Carthusia Perfume Shop
1:20:21 Garden of Augustus
1:35:33 Charterhouse of St. Giacomo
1:54:23 Via Camerelle
2:02:37 Via Tragara
2:10:20 Belvedere Tragara
2:20:06 Faraglioni
2:34:10 Via Pizzolungo
2:53:03 Grotta di Matromania
3:01:36 Arco Naturale
3:10:29 Via Matromania
3:20:11 Via Croce
3:28:54 Piazzetta di Capri
3:37:00 Souvenir Shop
3:38:02 Via Roma
3:46:16 Via Mulo
3:56:02 Marina Piccola
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Italy Christmas Tradition Zampognari
For more about Italy Christmas Vacations click Bagpipes are the most common Italian Christmas sound. The zampognari, shepherds who play the bagpipes, come down from their mountain homes at Christmas time and perform in the market squares. The playing of bagpipes is popular in the regions of Calabria and Abruzzo, and in the piazzas of Rome. The melodies played are adapted from old hill tunes. Modern zampognari wear the traditional outfits of sheepskin vests, leather breeches, and a woolen cloak. The tradition of bagpipes goes back to ancient Roman times. Legend says that the shepherds entertained the Virgin Mary in Bethlehem. Today, the zampognari perform their own private pilgrimage, stopping before every shrine to the Madonna and every Nativity scene. This video brought to you by Italy travel video.
MY ITALY JOURNEY l MUSEUM OF CINEMA & ROYAL PALACE OF TURIN
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Pizzeria Dal Presidente - Naples - Italy - Photo Tour
Right in the heart of Spaccanapoli, the historic center of Naples, Signore Ernesto Cacialli invited former US president Bill Clinton – who was in Naples for G8 – to taste his creations (back in 1994) and since then his pizzeria (the “president´s” pizzeria) was re-named in his honor. Buono!
A picture is worth a thousand words. Sometimes a photo can show more than any video.
Title: Italian Bushwick Tarantella Loop
Artist: Kevin MacLeod
Residences of the Royal House of Savoy 🇮🇹 Turin, Italy
When Emmanuel-Philibert, Duke of Savoy, moved his capital to Turin in 1562, he began a vast series of building projects (continued by his successors) to demonstrate the power of the ruling house. This outstanding complex of buildings, designed and embellished by the leading architects and artists of the time, radiates out into the surrounding countryside from the Royal Palace in the 'Command Area' of Turin to include many country residences and hunting lodges.
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Roma, Trastevere in 4k Piazza San Callisto e Piazza Santa Maria 2015
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Time Lapse in una mattinata Trasteverina, 2015
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-Piazza San Callisto
-Via della Lungaretta
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