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Svizzera: Top 10 Luoghi da Visitare | 4K Guida di Viaggio
Esplorate la Svizzera e scoprite i luoghi imperdibili che rendono questo paese unico al mondo.
Da città affascinanti a paesaggi spettacolari, questa guida vi condurrà attraverso una selezione impeccabile dei migliori luoghi da visitare in Svizzera.
Cosa vedere in Svizzera? Questo video è la risposta!
Seguiteci in un avvincente viaggio attraverso i luoghi più iconici e suggestivi della Svizzera, tra cui Berna, Zurigo, Lucerna, Ginevra e molti altri.
Con immagini in 4K, vi immergerete completamente nelle meraviglie di questa terra alpina, scoprendo i suoi segreti meglio custoditi e creando ricordi indimenticabili.
Non perdetevi questa esperienza straordinaria di viaggio in Svizzera, ideale per gli appassionati di avventure, cultura e bellezze naturali.
Preparatevi a vivere un'esperienza unica e a esplorare i luoghi più belli che la Svizzera ha da offrire
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TIMELINE
00:00 Introduzione
00:52 Berna
02:20 Ginevra
03:27 Interlaken
04:41 Lago di Ginevra
05:40 Lucerna
06:45 Zermatt
07:49 Zurigo
08:53 Regione di Jungfrau
09:56 St. Moritz
10:57 Valle del Reno
Thiene Bonin Longare Palace, Vicenza, Veneto, Italy, Europe
Thiene Bonin Longare Palace is a patrician palace in Vicenza, northern Italy, designed by Andrea Palladio probably in 1572 and built after Palladio's death by Vincenzo Scamozzi. It is one of the city palazzi of the Thiene family that Palladio worked upon, the other being Palazzo Thiene in the near contrà Porti. Since 1994 the palace has formed part of a UNESCO World Heritage Site the current name of which is City of Vicenza and the Palladian Villas of the Veneto. There are more doubts than certainties surrounding the history of the urban villa that Francesco Thiene built on family properties at the eastern extremity of the Strada Maggiore, today the Corso Palladio, beginning with the exact date of its construction. At Palladio’s death the building had still not been executed: on the Pianta Angelica of 1580, in fact, there still appear only old houses and a garden. A document of 1586 records that construction had still not begun, but certainly in 1593, on the death of the patron Francesco Thiene, the palace was at least a third built. Enea Thiene, who inherited the estate of his uncle Francesco, carried works to their conclusion, probably within the first decade of the 17th century. In 1835 the palace was acquired by Lelio Bonin Longare. In his treatise L'idea della architettura universale (published in Venice in 1615), Vincenzo Scamozzi writes that he was responsible for completing the building’s construction on the basis of a project by another architect with certain revisions to the original design. The architect that Scamozzi does not name is certainly Andrea Palladio, because two autograph sheets survive which can be referred to Francesco Thiene’s palace: on these are traced two plan variants, substantially close to the present building, as well as a sketch for the façade which is very different from that executed. It is unclear when Palladio formulated his own ideas for the palazzo, but it is credible that he did so in 1572, the year in which Francesco Thiene and his uncle Orazio divided up the family properties and the former obtained the very site where Palladio’s edifice would rise. If one analyses the realised building, various elements stand out which favour a dating to the 1570s: for example, the many points of contact with the Palazzo Barbaran da Porto, both in the design of the lower part and in the great, double-storey loggia of the courtyard. Instead, the side could be the work of Vincenzo Scamozzi, given its affinities with the Palazzo Trissino by the Duomo. The deep atrium, which is substantially indifferent to the grid of architectural orders, could also be by Scamozzi and while the rooms on its right, as one enters, clearly reuse rather irregular, pre-existing walls, those on the left are perfectly regular and evidently rise from new foundations.
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Italy Travel Venice - Palladio in Vicenza
Italy Travel Vicenza, Veneto for Andrea Palladio's 500th anniversary of his birth. Most influential architect from Italy, Palladio was born in Padua but most of his buildings are in Vicenza.
Places to see in ( Vicenza - Italy ) Chiesa di Santa Corona
Places to see in ( Vicenza - Italy ) Chiesa di Santa Corona
Santa Corona is a Gothic-style, Roman Catholic church located in Vicenza, region of Veneto, Italy. The church contains the Valmarana chapel, whose design is attributed to the Renaissance architect Andrea Palladio.
Construction on the church was begun in 1261 by the Blessed (Beato) Bishop Bartolomeo di Breganze to house a thorn from the supposed relic of the crown (corona) of thorns forced on Jesus during his passion. The thorn had been given to this bishop as a gift from Louis IX of France. The church belonged to the Dominican order until suppression during the Napoleonic era.
The church has an altarpiece depicting, the Baptism of Christ (1500-1502) by Giovanni Bellini. The Thiene chapel has frescos by Michelino da Besozzo, and an altarpiece depicting an Enthroned Madonna and child venerated by Saints Peter and Pius V by Gianbattista Pittoni. Other works in the church include an Adoration of the Magi’’ by Veronese, a Madonna of the Star‘ by Marcello Fogolino, a St Mary Magdalen with Saints Jerome, Paola and Monica, (1414-1415) by Bartolomeo Montagna, a canvas depicting St Anthony and friars distributing alms to poor (1518) by Leandro Bassano, and two canvases with depictions of St Sebastian and St Martin by Battista da Vicenza.
After the death of one of his patrons, Antonio Valmarana, likely in 1576, Palladio designed this funereal chapel. Santa Corona had already been the church were other members of the family had been interred. Ten years earlier, Palladio had designed the Palazzo Valmarana in town for the family. The chapel was constructed by 1597, and family members transferred here. While there is no documentary evidence linking this design to Palladio, it highly resembles his chapels found at the Il Redentore in Venice.
( Vicenza - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Vicenza . Through a series of videos we will try to show you recommended places to visit in Vicenza - Italy
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Autostrada del Brennero, 24 dicembre 2018 rainbow
Palladio Museum, Barbarano Palace, Vicenza, Veneto, Italy, Europe
Palazzo Barbaran Da Porto is a palazzo in Vicenza, Italy designed in 1569 and built between 1570 and 1575 by Andrea Palladio. Since 1994 the palace is part of the City of Vicenza and the Palladian Villas of the Veneto World Heritage Site by UNESCO. In the palace is located the Palladio Museum and the Centro Internazionale di Studi di Architettura Andrea Palladio (CISA). The sumptuous residence realised between 1570 and 1575 for the Vicentine noble Montano Barbarano is the only great city palace that Andrea Palladio succeeded in executing in its entirety. In his History of Vicenza of 1591, Iacopo Marzari records Montano Barbarano as a man “of belles lettres and most excellent musician”. Various flutes figure in the 1592 inventory of the palace, confirming the existence of an intensive musical activity there. At least three different autograph projects survive, preserved in London, which document alternative hypotheses for the building’s plan, all quite different from the actual one and testimony to a complex design process. Barbarano, in fact, requested Palladio to respect the existence of various houses belonging to the family and already existing on the area of the new palace. Moreover, once the project was finalised Barbarano acquired a further house adjoining the property, which resulted in the asymmetrical positioning of the entrance portal. In any case, the constraints imposed by the site and by a practical patron became the occasion for courageous and refined solutions: Palladio’s intervention is magisterial, elaborating upon a sophisticated project for “restructuring” which blended the diverse pre-existing structures into a unified edifice. In 1998, after a twenty-year restoration, the Palace has been opened to the public. The exhibition activities began in March 1999. On the ground floor, a magnificent four-columned atrium welds together the two pre-existing building lots. In realising the scheme, Palladio was called upon to resolve two problems: one statical, how to support the floor of the great hall on the piano nobile; the other compositional, how to restore a symmetrical appearance to interiors compromised by the oblique course of the perimeter walls from the pre-existing houses. Departing from the model of the wings of the Theatre of Marcellus in Rome, Palladio divided the interior into three aisles, placing centrally four Ionic columns which allowed the reduction of the span of the central cross-vaults, set against lateral barrel vaults. He thus achieved a very statically efficient framework capable of bearing the floor of the hall above without any difficulty. The central columns were then tied to the perimeter walls by fragments of rectilinear entablature, which absorb the irregularities of the atrium plan: in this way he realised a sort of system of “serlianas”, a stratagem conceptually similar to that of the Basilica loggias. Palladio even adopted the unusual type of Ionic capital derived from the Temple of Saturn in the Forum Romanum because it permitted him to mask the slight but significant rotations necessary to align the columns and engaged columns. To decorate the palace, in several campaigns Montano employed some of the greatest artists of his time: Giovanni Battista Zelotti (who had already intervened in the interiors of Palladio’s Villa Emo at Fanzolo), Anselmo Canera and Andrea Vicentino; the stuccoes were entrusted to Lorenzo Rubini (who contemporaneously executed the external decorations of the Loggia del Capitanio) and, after his death in 1574, to his son Agostino. The net result was a sumptuous palace capable of rivalling the residences of the Thiene, the Porto and of the Valmarana, a palace which permitted its patron to represent himself to the city as a ranking member of the Vicentine cultural élite.
Porto Breganze Palace, Vicenza, Veneto, Italy, Europe
Porto Breganze Palace, the most sumptuous of the buildings of the time, with a portal by Lorenzo da Bologna adorned with delicate marble carvings, and a unique four-light window of its kind. In the exceptional sequence of late Gothic palaces of contrà Porti Palazzo da Porto Breganze, built around the middle of the fifteenth century, stands out for its noble lines and rich decorative solutions. The prominent element of the facade is the superb marble four-light window, which repeats, unique in the mainland, the features of the Venetian Ca ’d’oro. The round-headed door, the only asymmetric element of the façade, bears instead the indication «1481» and is considered one of the first works from Vicenza of the workshop of Tommaso da Lugano and Bernardino da Como; characteristic, the carved decoration of racemes and candelabras.
Made with love, Breganze, Italy
Made with love, Breganze, Italy
About Property:
Set in Breganze, Made with love features a restaurant, a bar and a garden. This 3-star hotel offers a 24-hour front desk and room service. The hotel has family rooms.
The hotel will provide guests with air-conditioned rooms with a desk, a kettle, a minibar, a safety deposit box, a flat-screen TV and a private bathroom with a bidet. The units feature a wardrobe.
Made with love offers a à la carte or Italian breakfast.
You can play billiards at the accommodatio...
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Booking or More Details:
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Property Type: Hotel
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Address: 119 Via Roma 121 via Roma, 36042 Breganze, Italy
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Places to see in ( Vicenza - Italy )
Places to see in ( Vicenza - Italy )
Vicenza is a city in the Veneto region of northeast Italy. It’s known for the elegant buildings designed by the 16th-century architect Andrea Palladio. These include the Palladian Basilica and the Palazzo Chiericati, now home to an art gallery. Nearby, also by Palladio, the Teatro Olimpico replicates a classic outdoor theater, indoors. On the outskirts of town, the hilltop Villa La Rotonda has 4 identical facades.
Vicenza is located in the Veneto region of Italy, in its own province (the Provincia di Vicenza). It's a medium-sized town, with a population of 110,000. There has been a settlement here right back into the depths of history; remains of the Roman town can still be seen. Later, after the barbarian invasions which repeatedly devastated this part of Italy, it became a significant town, ruled at different times by various greater powers. For several centuries it was governed by Venice; then Napoleon, then the Austrians. In 1866 it became part of the new Kingdom of Italy.
Vicenza was a prosperous town under Venetian rule, and its pride was demonstrated in fine architecture, much of which still survives. Its 'unique appearance,' largely owing to the work of influential sixteenth-century architect Andrea Palladio, has led to the town's designation as a UNESCO World Heritage Site: City of Vicenza and the Palladian Villas of the Veneto. After Palladio, Vicenza is most famous for its trade in precious metals, it's also known as the 'City of gold'. It's a lovely town to visit; with a beautiful, compact town centre and attractive villas and viewpoints in the hills a short walk away.
The railway station is to the south-west of the town centre; most of Vicenza's attractions are clustered closely together inside the old town walls. Walking straight along Viale Roma from the railway station, you'll pass two bus stops for the number 8 - if you are planning a trip to the villas just outside town, check the latest timetable displayed here. Soon you'll arrive outside the old town gate, Porta Castello, but first you can visit the Giardino Salvi just outside the gateway: a shady park, ornamented with statues and the Palladian Loggia Valmarana, which is dramatically reflected in dark waters.
Just inside the gateway lies a very convenient self-service restaurant, Self Pause, which is a cheap and quick place to fill up before exploring the town centre. Around Vicenza you can admire many grand buildings by Palladio and his followers. The Italian word palazzo usually means any large building rather than a palace; but many of Vicenza's palazzi do merit the grander translation. Some of the town's buildings are medieval, with several in the Venetian Gothic style, but the majority date from the sixteenth and seventeenth centuries. They line the narrow lanes of Vicenza's town centre; which are called contra, a local word for 'street'.
As soon as you're inside the Porta you find yourself among the town's great buildings. One of the most curious is off to your right. Designed by Palladio, Palazzo Porto Breganze was never finished and stands in an abbreviated form. In front of you is the Corso Andrea Palladio, the centre's main thoroughfare, lined with smart shops and cafes. Some of Vicenza's grandest palazzi lie on Contra Porti, off to the left.
Piazza dei Signori, a few yards south of Corso Andrea Palladio, is the heart of town. It is dominated by two of Vicenza's most striking landmarks, the Basilica Palladiana, the town's medieval law courts, with an imposing later facade by Palladio, and the adjacent Torre di Piazza, a tall and skinny tower. Right in the long midday shadow cast by the tower you'll find one of Vicenza's tourist information offices, where you can pick up a town map, leaflets about local events and attractions and any advice you may need. A second office is located not far away, by the Teatro Olimpico.
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Italian Eats: What to Eat in Vicenza, Italy
Vicenza is a middle sized city in the Veneto region of Italy. Easily accessed from Venice, Padua, Verona, and many other great Italian cities. If you are visiting Vicenza, here are some of the tasty food choices you should make when you are there. Eat well!
Filmed in Vicenza, Italy
Copyright Mark Wolters 2021
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Places to see in ( Vicenza - Italy ) Loggia del Capitaniato
Places to see in ( Vicenza - Italy ) Loggia del Capitaniato
The palazzo del Capitaniato, also known as loggia del Capitanio or loggia Bernarda, is a palazzo in Vicenza, northern Italy, designed by Andrea Palladio in 1565 and built between 1571 and 1572. It is located on the central Piazza dei Signori, facing the Basilica Palladiana. Palazzo del Capitaniato, floor plan (Pereswet-Soltan, 1969). The palazzo is currently used by the town council. It was decorated by Lorenzo Rubini and, in the interior, with frescoes by Giovanni Antonio Fasolo. Since 1994 the palace has been part of the UNESCO World Heritage Site of the City of Vicenza and the Palladian Villas of the Veneto.
When one compares the Gothic arches of the Palazzo Ducale in Venice with the loggias of Palladio’s Basilica, inspired by the classical language of ancient Rome (and even more if one compares the 16th-century (Cinquecento) palazzi of Vicenza with those on the Grand Canal), the Vicentines’ desire to emphasise their cultural autonomy from the architectural models of La Serenissima becomes quite clear. Nevertheless, twenty years later, when the Citizen Council commissioned for the same piazza the refacing of the official residence of the Venetian Captain (the military head in charge of the city on behalf of the Venetian Republic), it would again fall to Palladio to undertake the work, and the contest, if any, was between two extraordinary architectures rising one in front of the other.
It is extremely rare for any architect to have the opportunity to intervene twice in the same place, after an interval of twenty years. The young architect of the Basilica, then still under the supervision of Giovanni da Porlezza, had by now become the celebrated creator of several important buildings: churches, palaces and villas for the dominant élite of the Veneto. Palladio chose not to have the two buildings converse: against the purism of the Basilica’s double-storey arcades, we find the Loggia’s colossal engaged composite columns, and while the Basilica was executed in white stone and devoid of decoration (if one ignores the design of architectural elements like the frieze, keystones and statues), the Loggia abounds in rich stucco decorations.
Both the use of the giant order and this decorative richness are twin traits peculiar to Palladio’s architectural idiom in the last decade of his life. However, the chromatic contrast between the white of the stone and the red of the brick (even though desired by Palladio in the Convento della Carità in Venice) is only the product of the original surfaces’ degradation: ample remains of the light stucco which once covered the bricks are still quite visible, just below the great Composite capitals.
The Palladian loggia replaced an analogous building which had stood on the same site from the Middle Ages, and which had already been reconstructed at least twice during the Cinquecento: a covered public loggia on the ground floor and an audience hall on the upper storey. The new construction became economically viable in April 1571 and works began immediately. Palladio supplied the last drawings for the moulding templates in March 1572 and by the end of that year the building would have been roofed, since Giannantonio Fasolo could paint the lacunars of the audience hall while Lorenzo Rubini could execute the stuccoes and statues.
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Venice travel, Best of Venice, hidden place, Madonna music. Best of Venice tours as well as Florence, Rome & other cities as Diana guides you through Italy's masterpiece-packed cities. Beginning with Venice's timeless St. Mark's Square and Basilica, then on bakeries, bars, pastry shops, churches. With detours to Michelangelo's stunning David and the Uffizi Gallery in Florence & Rome's Ancient Forum, Colosseum, Pantheon, Vatican Museum & Sistine Chapel. For more information on Diana's FREE video tours — including her new novel set in Venice— & L-U-V your mini-vacations with Diana? Then check this out!
Bike the Prosecco Wine Road
Join Italiaoutdoors Food and Wine as we welcome spring with a bicycle tour of the Prosecco, Piave and other Veneto wine regions of Italy. We will visit the province of Treviso, where spring is welcomed with the Primavera del Prosecco festival, a celebration of the wine, food, art and culture of the region. We will bicycle each day through a different wine region of the Veneto, one of the largest wine producing regions in Europe, discovering the unique products of each DOC, from the world-renowned sparkling wine Prosecco, to lesser known regions such as Piave, Colli Berici, and Breganze. Wine Enthusiast named the Veneto one of the Top 10 Wine Destinations for 2012. Come visit with us!
Osteria Vecio Fritolin a Venezia
Il legame con la tradizione inizia dal nome storico del locale. Vecio Fritolin ha le sue radici nei fritolini ovvero i luoghi dove sin dal 700 il popolo poteva acquistare il pesce appena fritto. L'usanza venne meno con l'entrata in vigore del divieto di utilizzare camini con fuochi liberi. Storica è anche la sede che conserva le originali architetture del 500, sita in Calle della Regina dove nacque la Regina di Cipro, Caterina Cornaro (1454-1510), ricca discendente di una nobile famiglia veneziana.
Osteria Vecio Fritolin
Calle della Regina 2262 - Sestiere Santa Croce
30135 Venezia
Tel 041 5222881
info@veciofritolin.it
Orari di apertura: 12.00-14.30, 19.00-22.30
Chiusura settimanale: lunedì e martedì a pranzo
Tour nelle Terre del Sagrantino: alla scoperta delle migliori cantine
Tour nelle Terre del Sagrantino: alla scoperta delle migliori cantine.
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