10 Most Beautiful Towns to Visit in Northern Italy 4K 🇮🇹 | Underrated Places in Italy
10 Most Beautiful Places to Visit in Northern Italy 4k. Some of the best places to visit in Northern Italy are right here in this new Italy travel Video. Featuring italian towns such as Bellagio, Orta San Giulio, Varenna, Verona, Bologna, Trieste or the Lake Garda area and Lake Como or the favourite Italian Cities of Milan and Bergamo. There is something for everyone here. So if its your first time visiting Italy then try some of these amazing destinations in the North of Italy.
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The best cities in Italy for life. TOP 10
The best cities in Italy for life. TOP 10: Bolzano, Milan, Trento, Florence, Sondrio, Olbia, Cuneo, Aosta, Sienna, Ravenna
10 Things I Wish I Knew BEFORE Going on a Mediterranean Cruise
We had an amazing Mediterranean cruise - but as prepared as we were, there were still some things I didn't know! If you're planning a European cruise, this video is for you!
We recently went on a Mediterranean cruise, and yes, I made some cruise mistakes! In this video I share our cruise experiences in cruise ports of call, on excursions, cruise packing mistakes & more. I've included Mediterranean cruise tips so that you can be ready & prepared for your cruise in Europe.
Our cruise onboard Princess Cruises Enchanted Princess began in Barcelona & ended in Rome. Whether you're a first time cruiser or this is your first Mediterranean cruise, this video is full of helpful cruise tips, tricks & advice.
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Places to see in ( Cervia - Italy )
Places to see in ( Cervia - Italy )
Cervia is a town and comune in the province of Ravenna in the region of Emilia-Romagna in Italy. Cervia is a seaside city in Emilia-Romagna, Italy. Its population was 28,965 at the 2015 census. Originally called Ficocle, it was probably of Greek origin and was located midway between current Cervia and Ravenna. It is known that this original settlement was destroyed in 709 by patrician Theodore for its alliance with Ravenna against the loyal Byzantines.
Later the centre was rebuilt in a more secure position, in the Salina. This medieval city grew until it was provided with three fortified entrances, a Palaces of Priors, seven churches and a castle (Rocca) which, according to the legend, was built by Emperor Frederick Barbarossa. The name also changed from Ficocle to Cervia, probably referring to the Acervi, great amounts of salt left in the local evaporation pods. After a long series of events, it became part of the Papal States.
As the time passed, the salt pod turned into a marsh, and on 9 November 1697 Pope Innocent XII ordered it to be rebuilt in a safer location. The new city had huge silos for storage of salt, containing up to 13,000 tons. Cervia is also mentioned in Dante's Divine Comedy (Inferno, Canto XXVII, lines 40–42).
Nowadays Cervia is a seaside resort on the Adriatic Riviera thanks to its 10-kilometre (6 mi) shore characterised by sandy beaches. Unlike its neighbor Cesenatico, the buildings are subject to strict urban regulations, favoring the conservation of the pine forest and green areas between each new construction.
Cervia has a large pine forest, about 260 hectares and includes the areas of Milano Marittima, Cervia, Pinarella and Tagliata. A project with the local authority of ARPA is active for the control of water, at various points between the beach in Milano Marittima and that of Pinarella. The results that are obtained show that the water quality is such that guaranteed the city the blue flag of the Foundation for Environmental Education for the ninth consecutive year (since 1997). The levels of these waste waters have always been excellent in recent years, except some small survey of 2004 and 2002 that triggered the alarm and were provided other controls, which have verified the quality of the water, immediately returned to levels within the normal range.
Housing prices in Cervia ranked second highest in the Emilia Romagna in a 2009 research, only after Bologna. With the development of the neighborhood Milano Marittima, the presence of nightclubs and outdoor dances were banished from Cervia center, in order to respect the comfort of residents and tourists. In Cervia they are already operating several cycling routes. In fact the city is also famous for its large number of bicycles around the town, especially during summer. Tortelli verdi is a typical food in Cervia.
Alot to see in Cervia such as :
The Cathedral (Santa Maria Assunta), built in 1699–1702
The Museum of Salt
The Communal Palace
St. Michael Tower
( Cervia - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Cervia . Through a series of videos we will try to show you recommended places to visit in Cervia - Italy
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Italy less discovered cities of art: Discover the 5 cities that are worth a trip
Italy, is an ideal 2021 summer destination. Italy is rich in art and culture but cities of art such as Ravenna, Padua, Parma, Assis and Mantua are still relatively unexplored and has so much to offer.
Much less known than cities such as Florence Venice and Rome but it is still worth a visit during your trip to Italy are cities like Ravenna, Padua, Parma, Assis and Mantua.
This travel VLOG provides a list of 5 places to visit in Italy that are exceptional destinations for exquisite Italian food and beautiful art
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50 of the Most Beautiful Villages in Italy | Travel Guide
Discover the 50 Most Beautiful Villages in Italy: a journey into the heart of Italian tradition and beauty
Join us on an exciting journey to discover Italy's most charming and lesser-known villages. From Scanno in Abruzzo to Cetara in Campania, from Portofino in Liguria to Gerace in Calabria, and the wonderful villages of Tuscany such as Pienza and San Gimignano, we will explore the cultural richness, historical heritage, and extraordinary geography of these magical places. Each village, with its unique architectural features and centuries-old stories, represents a unique piece in the vast mosaic of Italian culture.
These small centers offer an authentic view of Italy, far from conventional tourist circuits. Through the alleys of medieval villages like Castelmezzano, Pietrapertosa, and Urbino, we will discover the art, gastronomy, and local traditions that have made Italy famous worldwide. From north to south, these villages tell the story of an Italy deeply rooted in its traditions yet always open to sharing its beauty with the world.
How to Read the Charts in the Video:
At the end of each village description, you will find charts showing ratings from 1 to 5 stars, where 5 is excellent and 1 is poor. Here's what each metric represents:
- Review Score - Traveler Impressor: The overall score given by tourists on online sites.
- Numbers of Attractions - What to See: The number of attractions and places to visit in the village.
- Surroundings: What and how much there is to see around the village.
- Transport Quality: The quality of public transportation or the ease of reaching the village.
- Village Size: The size of the village based on the number of residents.
Did you enjoy our journey through Italian villages? If so, we invite you to leave a like, subscribe to the channel, and if you wish, give us a super thanks! Your support is crucial for helping us travel and create new content. Remember, we do all this out of passion, and every gesture of appreciation motivates us to continue. Thank you for being part of our adventure through Italy's most fascinating villages!
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TIMELINE:
00:00 Introduction
01:22 Abruzzo
04:14 Basilicata
06:02 Calabria
08:47 Campania
11:30 Emilia-Romagna
13:25 Friuli-Venezia Giulia
16:15 Lazio
18:15 Liguria
20:55 Lombardy
22:47 Marche
25:33 Molise
27:15 Piedmont
29:21 Apulia
32:03 Sardinia
34:13 Sicily
36:49 Tuscany
39:54 Trentino-Alto Adige
41:50 Umbria
44:41 Veneto
46:38 Aosta Valley
Visit San Marino - What to See & Do in San Marino
Thinking of Visiting San Marino, The 5th Smallest Country in the World? We are here to help, thought not a ton of sights to see San Marino is still worth a visit if you are visiting the Italian towns of Ravenna or Rimini. From cool fortresses and amazing views to silly museums and vomit inducing curvy roads there are some fun things to see and do in San Marino... and don't forget to get your passport stamped to prove you visited!
Filmed in San Marino
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RAVENNA 2024 🇮🇹 Drone Aerial 4K | Ravèna Emilia-Romagna Italy Italia
Ravenna (or Ravèna 2024) is an amazing city in Emilia-Romagna, in the North of Italy. Ravenna is known as the Byzantine-Greek City of Italy. It has an amazing cultural heritage of Byzantine times like the early Christian Basilica di San Vitale with the Orthodox-Greek Mosaics of Emperor Justinian II. Moreover, Ravenna was also the capital of the Ostrogothic Kingdom and proof of that is the Mausoleum of the King of the Ostrogoths Teodorico. At least 8 buildings of Ravenna are on the World Heritage list of UNESCO. Ravenna has a population of 160,000.
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Places to see in ( Ravenna - Italy ) Teatro Alighieri
Places to see in ( Ravenna - Italy ) Teatro Alighieri
The Teatro Comunale Alighieri is an opera house located at 2 Via Mariani in Ravenna, Italy and designed by the Venetian architects, Tommaso Meduna and his brother, Giambattista who had designed the second La Fenice theatre after the fire of 1836. The new Teatro Comunale Alighieri was inaugurated on 15 May 1852 with a production of Meyerbeer's Robert le diable, followed by Giovanni Pacini's Medea. It presently offers a program of up to six operas during the season which runs from November to April.
For about 125 years following 1723, Ravenna had one main theatre for the presentation of opera, the Teatro Comunitativo located outside the centre of the city. It featured a lavishly decorated, U-shaped baroque auditorium with 97 boxes on four tiers. In the 50 years following 1802, it presented 170 operatic productions, 24 of which were by Rossini, 22 by Donizetti, and 10 by Verdi. However, the 1830s and 1840s revealed its inadequancy, and plans were made to build a new theatre in the heart of the city; the cornerstone of the replacement theatre was laid in 1840.
With construction continuing until 1852, the new Teatro Comunale was named for the famous poet, Dante Aligheri, who had been exiled from Florence and then spent the last four years of his life in Ravenna. Reflecting the style of the Venetian brothers, the exterior of the Alighieri is neo-classical with a four ionic columns and a portico with statues of four Muses. With 118 boxes in four tiers plus a gallery, the auditorium was constructed in the traditional horseshoe shape with 830 seats.
As befitting his position as the major operatic composer of the day, Giuseppe Verdi's operas were dominant at the new theatre during its first fifty years; of other composers' works, Donizetti's operas were the only ones which appeared regularly until 1870 and those of Bellini vanished after 1866. However, French grand opera survived until the 20th century.
Since its foundation in 1990, the annual June/July Ravenna Festival has presented a very diverse range of operas at the Alighieri. These have included rare works by Salieri, Auber, and Cherubini as well as less performed operas by many of the standard 19th-century composers plus more popular works.
( Ravenna - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Ravenna . Through a series of videos we will try to show you recommended places to visit in Ravenna - Italy
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Ravenna | Italy's Mosaic City Travel Vlog
I traveled to Ravenna, Italy in 1 Day! Join me as I explore this beautiful northern Italian town!
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【4K】𝐖𝐀𝐋𝐊 ➜ Ravenna, Italy 2024
Ravenna is a city in the Italian region of Emilia-Romagna, located 10 km from the Adriatic Sea, with which it is connected by a canal. After 402 - the capital of the Western Roman Empire, later the capital of the kingdom of Odoacer, the state of the Ostrogoths, the Exarchate of Ravenna and the Lombard Kingdom. Eight Ravenna monuments from Late Antiquity are included in the UNESCO World Heritage List.
Ravenna is located on the Padan Plain in a low-lying area formed by the siltation of the Adriatic. The administrative center of the province of the same name.
Saint Apollinaris is considered the patron saint of the city.
In the summer of 1321, Dante Alighieri, as the ambassador of the ruler of Ravenna, went to Venice to make peace with the Republic of St. Mark. On the way back, Dante fell ill with malaria and died in Ravenna on the night of September 13-14, 1321.
Dante was buried in Ravenna. The magnificent mausoleum that Guido da Polenta prepared for him was not erected; the modern tomb (also called a mausoleum) was built in 1780.
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Ravenna Park: A Brief History of Natural Wonder in Seattle
🌲 Ravenna Park is a small park with old growth trees in the middle of Seattle. Learn about how it was formed, how it became a park, and current efforts to restore it to its natural state.
Student: Nathan Rodland
Quarter: Spring 2018
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Top 15 Best Places to explore in Italy ll Complete Travel Guide
Hi everyone my name is Nishant Pachori and you are watching Fond of Wonder. In this video we will find out the TOP 15 PLACES TO VISIT IN ITALY that can be explore while our tour. I hope you will like this video then don't forget to share with your friends and also watch our other helpful videos through below link.
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Ravenna Italy 2022 4K walking tour
Middle Ages and Renaissance
The Lombards, under King Liutprand, occupied Ravenna in 712, but were forced to return it to the Byzantines. However, in 751 the Lombard king, Aistulf, succeeded in conquering Ravenna, thus ending Byzantine rule in northern Italy.
King Pepin of the Franks attacked the Lombards under orders of Pope Stephen II. Ravenna then gradually came under the direct authority of the Popes, although this was contested by the archbishops at various times. Pope Adrian I authorized Charlemagne to take away anything from Ravenna that he liked, and an unknown quantity of Roman columns, mosaics, statues, and other portable items were taken north to enrich his capital of Aachen.
In 1198 Ravenna led a league of Romagna cities against the Emperor, and the Pope was able to subdue it. After the war of 1218 the Traversari family was able to impose its rule in the city, which lasted until 1240. After a short period under an Imperial vicar, Ravenna was returned to the Papal States in 1248 and again to the Traversari until, in 1275, the Da Polenta established their long-lasting seigniory. One of the most illustrious residents of Ravenna at this time was the exiled Florentine poet Dante. The last of the Da Polenta, Ostasio III, was ousted by the Republic of Venice in February 1441, and the city was annexed to the Venetian territories in the Treaty of Cremona.
Ravenna was ruled by Venice until 1509, when the area was invaded in the course of the Italian Wars. In 1512, during the Holy League wars, Ravenna was sacked by the French following the Battle of Ravenna. Ravenna was also known during the Renaissance as the birthplace of the Monster of Ravenna.
After the Venetian withdrawal, Ravenna was again ruled by legates of the Pope as part of the Papal States. The city was damaged in a tremendous flood in May 1636. Over the next 300 years, a network of canals diverted nearby rivers and drained nearby swamps, thus reducing the possibility of flooding and creating a large belt of agricultural land around the city.
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Basilica of St. Francis, Ravenna, Emilia-Romagna, Italy, Europe
The Basilica of Saint Francis is an important Catholic church in the historic center of Ravenna: it is located in Piazza San Francesco and is the seat of a parish entrusted to the Order of Friars Minor Conventual. The current building dates back to the 9th-10th century, and has been remodeled several times both outside and inside. The church is known for being the place of Dante Alighieri's funeral in 1321 and is part of the so-called Dante area of the city. The current basilica of St. Francis stands on the site of an older church. This was built shortly after 450 at the behest of the bishop of Ravenna Neone and was dedicated to the holy apostles Peter and Paul, and for this reason also called the Church of the Apostles. Between the second half of the 9th century and the following century, the 5th century building was demolished and replaced by a larger church. At the same time, a high bell tower was also built. The new church, called San Pietro Maggiore, passed to the Franciscan order in 1261 and, on that occasion, was dedicated to St. Francis of Assisi. Between the 17th and 18th centuries, the church was restored several times and enriched with Baroque decorations and altars. The most important restoration was the one carried out in 1793 by Pietro Zumaglini. In 1810, the adjacent Franciscan convent was suppressed and expropriated by the Napoleonic authorities. After the forced departure of the friars, the church remained open to worship under the care of the secular clergy. Between 1918 and 1921, in view of the sixth centenary of Dante's death, it was radically restored by eliminating all the baroque additions and bringing it back to a style as close to the original. In Dante's centenary a competition was held for the decoration of the interior of the church with subjects inspired by the Divine Comedy, which was won by the famous painter Adolfo De Carolis. The sudden death of the artist, however, prevented the realization of the work, which remained at the project state. The crypt was also restored in 1926 and 1970. The Friars Minor Conventual were able to return only in 1949, no longer residing in the ancient convent (now owned by the Cassa di Risparmio di Ravenna), but in a building on the opposite side of the basilica, where they have also adapted the parish environments. In fact, the Archdiocese of Ravenna had chosen the basilica as its parish seat during the 19th century with the title of Parish of San Pietro Maggiore in San Francesco.
Basilica of San Vitale, Ravenna, Emilia-Romagna, Italy, Europe
The Basilica of San Vitale is a church in Ravenna, Italy, and one of the most important examples of early Christian Byzantine art and architecture in western Europe. The building is styled an ecclesiastical basilica in the Roman Catholic Church, though it is not of architectural basilica form. It is one of eight Ravenna structures inscribed on the UNESCO World Heritage List. The church was begun by Bishop Ecclesius in 526, when Ravenna was under the rule of the Ostrogoths and completed by the 27th Bishop of Ravenna, Maximian, in 547 preceding the Byzantine Exarchate of Ravenna. The architect of the church is unknown. The construction of the church was sponsored by a Greek banker, Julius Argentarius, of whom very little is known, except that he also sponsored the construction of the Basilica of Sant' Apollinare in Classe at around the same time. (A donor portrait of the banker may appear among the courtiers on the Justinian mosaic.) The final cost amounted to 26,000 solidi (gold pieces). The church has an octagonal plan. The building combines Roman elements: the dome, shape of doorways, and stepped towers; with Byzantine elements: polygonal apse, capitals, and narrow bricks. The church is most famous for its wealth of Byzantine mosaics, the largest and best preserved outside of Constantinople. The church is of extreme importance in Byzantine art, as it is the only major church from the period of the Emperor Justinian I to survive virtually intact to the present day. Furthermore, it is thought to reflect the design of the Byzantine Imperial Palace Audience Chamber, of which nothing at all survives. The belltower has four bells, the tenor one dates to the 16th century. According to legend, the church was erected on the site of the martyrdom of Saint Vitalis. However, there is some confusion as to whether this is the Saint Vitalis of Milan, or the Saint Vitale whose body was discovered together with that of Saint Agricola, by Saint Ambrose in Bologna in 393. The central section is surrounded by two superposed ambulatories. The upper one, the matrimoneum, was reserved for married women. A series of mosaics in the lunettes above the triforia depict sacrifices from the Old Testament: the story of Abraham and Melchizedek, and the Sacrifice of Isaac; the story of Moses and the Burning Bush, Jeremiah and Isaiah, representatives of the twelve tribes of Israel, and the story of Abel and Cain. A pair of angels, holding a medallion with a cross, crowns each lunette. On the side walls the corners, next to the mullioned windows, have mosaics of the Four Evangelists, under their symbols (angel, lion, ox and eagle), and dressed in white. Especially the portrayal of the lion is remarkable in its ferocity. The cross-ribbed vault in the presbytery is richly ornamented with mosaic festoons of leaves, fruit and flowers, converging on a crown encircling the Lamb of God. The crown is supported by four angels, and every surface is covered with a profusion of flowers, stars, birds and animals, including many peacocks. Above the arch, on both sides, two angels hold a disc and beside them a representation of the cities of Jerusalem and Bethlehem. They symbolize the human race (Jerusalem representing the Jews, and Bethlehem the Gentiles). All these mosaics are executed in the Hellenistic-Roman tradition: lively and imaginative, with rich colors and a certain perspective, and with a vivid depiction of the landscape, plants and birds. They were finished when Ravenna was still under Gothic rule. The apse is flanked by two chapels, the prothesis and the diaconicon, typical for Byzantine architecture. Inside, the intrados of the great triumphal arch is decorated with fifteen mosaic medallions, depicting Jesus Christ, the twelve Apostles and Saint Gervasius and Saint Protasius, the sons of Saint Vitale. The theophany was begun in 525 under bishop Ecclesius. It has a great gold fascia with twining flowers, birds, and horns of plenty. Jesus Christ appears, seated on a blue globe in the summit of the vault, robed in purple, with his right hand offering the martyr's crown to Saint Vitale. On the left, Bishop Ecclesius offers a model of the church. At the foot of the apse side walls are two famous mosaic panels, executed in 547. On the right is a mosaic depicting the East Roman Emperor Justinian I, clad in Tyrian purple with a golden halo, standing next to court officials, Bishop Maximian, palatinae guards and deacons. The halo around his head gives him the same aspect as Christ in the dome of the apse. Justinian himself stands in the middle, with soldiers on his right and clergy on his left, emphasizing that Justinian is the leader of both church and state of his empire. The gold background of the mosaic shows that Justinian and his entourage are inside the church.
A Drone's View of the North Side of downtown Ravenna, Ohio
Made in one-take with the Phantom DJI drone and the GoPro Hero 3+ camera shooting at 4K. Ravenna, Ohio, has about 13,000 people and is about 30 miles from Cleveland. Here you can see the historic city center.
Apollinaris of Ravenna, Ravenna, Emilia-Romagna, Italy, Europe
Apollinaris of Ravenna is a Syrian saint, whom the Roman Martyrology describes as a bishop who, according to tradition, while spreading among the nations the unsearchable riches of Christ, led his flock as a good shepherd and honoured the Church of Classis near Ravenna by a glorious martyrdom. According to tradition, he was a native of Antioch in Roman Province of Syria. As the first Bishop of Ravenna, he faced nearly constant persecution. He and his flock were exiled from Ravenna during the persecutions of Emperor Vespasian (or Nero, depending on the source). On his way out of the city he was identified, arrested as being the leader, tortured and martyred by being run through with a sword. Centuries after his death, he appeared in a vision to Saint Romuald. Other legends have him martyred under the Emperor Valens. He was made Bishop of Ravenna, Italy, by Saint Peter himself. The miracles he wrought there soon attracted official attention, for they and his preaching won many converts to the Faith, while at the same time bringing upon him the fury of the idolaters, who beat him cruelly and drove him from the city. He was found half-dead on the seashore, and kept in concealment by the Christians, but was captured again and compelled to walk on burning coals and a second time expelled. But he remained in the vicinity, and continued his work of evangelization. We find him then journeying in the Roman province of Aemilia. A third time he returned to Ravenna. Again he was captured, hacked with knives, had scalding water poured over his wounds, was beaten in the mouth with stones because he persisted in preaching, and was flung into a horrible dungeon, loaded with chains, to starve to death; but after four days he was put on board a ship and sent to Greece. There the same course of preachings, miracles and sufferings continued; and when his very presence caused the oracles to be silent, he was, after a cruel beating, sent back to Italy. All this continued for three years, and a fourth time he returned to Ravenna. By this time Vespasian was Emperor, and he, in answer to the complaints of the pagans, issued a decree of banishment against the Christians. Apollinaris was kept concealed for some time, but as he was passing out of the gates of the city, was set upon and savagely beaten, probably at Classis, a suburb, but he lived for seven days, foretelling meantime that the persecutions would increase, but that the Church would ultimately triumph. It is not certain what was his native place, though it was probably Antioch. Nor is it sure that he was one of the seventy-two disciples of Christ, as has been suggested. The precise date of his consecration cannot be ascertained, but he was Bishop of Ravenna for twenty-six years. However, the acts of the martyrdom of Saint Apollinaris have scarcely any historical value; they were probably written by Archbishop Maurus of Ravenna (642-671), who presumably wanted to publicize the alleged apostolic origin of the See of Ravenna, and also to abet his political aspirations against the influence of both Rome and Constantinople. However, Christian inscriptions dating from the 2nd century have been discovered near Classe, confirming the presence of Christianity in Ravenna at a very early date. According to the list of the bishops of Ravenna compiled by Bishop Marianus (546-556), the 12th Bishop of Ravenna was named Severus; and he is among those who signed at the Council of Sardica in 343. Thus, the epoch of Saint Apollinaris may be estimated as possibly to the last decades of the 2nd century, placing his martyrdom possibly under Emperor Septimius Severus. A noted miracle worker, Saint Apollinaris is considered especially effective against gout, venereal disease and epilepsy. His relics are at the Basilica of Sant'Apollinare Nuovo (which housed his relics from the 9th century until the 1748 reconsecration of Sant'Apollinare in Classe) and the 6th century Benedictine Basilica of Sant'Apollinare in Classe (on the traditional site of his martyrdom), both in Ravenna and in Saint Lambert's church, Düsseldorf, Germany. There are also churches dedicated to him in Aachen, Burtscheid and Remagen in Germany, where his veneration was probably spread by Benedictine monks. The Frankish king Clovis built a church dedicated to him in Dijon, and another dedicated to Saint Apollinaris also existed in Bologna, but was destroyed in 1250. Bořivoj II, Duke of Bohemia, founded a church with a collegiate chapter dedicated to Saint Apollinaris in Sadská (then an important centre of the Czech state) in 1117/1118.
Basilica di San Vitale Byzantium places in Ravenna Italy july 2022
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Pictures of Basilica San Vitale
The Basilica of San Vitale is a late antique church in Ravenna, Italy. The 6th century church is an important surviving example of early Christian Byzantine art and architecture. It is one of eight structures in Ravenna inscribed on the UNESCO World Heritage List. Its foundational inscription describes the church as a basilica, though its centrally-planned design is not typical of the basilica form.The church's construction began in 526 on the orders of Bishop Ecclesius of Ravenna. At the time, Ravenna was under the rule of the Ostrogoths. Bishop Maximian completed construction in 547, preceding Justinian's creation of the Exarchate of Ravenna, which followed his partial re-conquest of the Western Roman Empire.The main building of the church is laid out octagonally. The building combines Roman and Byzantine elements. The dome, shape of doorways, and stepped towers are typical of Roman style, while the polygonal apse,
capitals, narrow bricks, and an early example of flying buttresses are typical of the Byzantine. The church is most famous for its wealth of Byzantine mosaics. St Vitale boasts the largest and best preserved mosaics outside of Istanbul. The church is of extreme importance in Byzantine art, as it is the only major church from the period of the Emperor Justinian I to survive virtually intact. Furthermore, it is thought to reflect the design of the Byzantine Imperial Palace Audience Chamber, of which nothing at all survives. The belltower has four bells. The tenor bell dates to the 16th century. According to legends, the church was erected on the site of the martyrdom of Saint Vitalis. The central section is surrounded by two superposed ambulatories. The upper one, the matrimoneum, was possibly reserved for married women. A series of mosaics in the lunettes above the triforia depict sacrifices from the Old Testament: the story of Abraham and Melchizedek, and the Sacrifice of Isaac; the story of Moses and the Burning Bush, Jeremiah and Isaiah, representatives of the twelve tribes of Israel, and the story of Abel and Cain. A pair of angels, holding a medallion with a cross, crowns each lunette. On the side walls the corners, next to the mullioned windows, have mosaics of the Four Evangelists, under their symbols (angel, lion, ox and eagle), and dressed in white. Especially the portrayal of the lion is remarkable in its ferocity.The cross-ribbed vault in the presbytery is richly ornamented with mosaic festoons of leaves, fruit and flowers, converging on a crown encircling the Lamb of God. The crown is supported by four angels, and every surface is covered with a profusion of flowers, stars, birds and animals, including many peacocks. Above the arch, on both sides, two angels hold a disc and beside them a representation of the cities of Jerusalem and Bethlehem. They symbolize the human race (Jerusalem representing the Jews, and Bethlehem the Gentiles).
All these mosaics are executed in the Hellenistic-Roman tradition: lively and imaginative, with rich colors and a certain perspective, and with a vivid depiction of the landscape, plants and birds. They were finished when Ravenna was still under Gothic rule[citation needed]. The apse is flanked by two chapels, the prothesis and the diaconicon, typical for Byzantine architecture.
Inside, the intrados of the great triumphal arch is decorated with fifteen mosaic medallions, depicting Jesus Christ, the twelve Apostles and Saint Gervasius and Saint Protasius, the sons of Saint Vitale. The theophany was begun in 525 under bishop Ecclesius. It has a great gold fascia with twining flowers, birds, and horns of plenty. Jesus Christ appears, seated on a blue globe in the summit of the vault, robed in purple, flanked by angels, offering with his right hand the martyr's crown to Saint Vitale, while on his left Bishop Ecclesius offers a model of the church.At the foot of the apse side walls are two famous mosaic panels, completed in 547. On the right is a mosaic depicting the East Roman Emperor Justinian I, clad in Tyrian purple with a golden halo, standing next to court officials, generals Belisarius and Narses, Bishop Maximian, palatinae guards and deacons. The halo around his head gives him the same aspect as Christ in the dome of the apse, but is part of the tradition of rendering the imperial family with haloes described by Ernst Kantorowicz in The King's Two Bodies. Justinian himself stands in the middle, with soldiers on his right and clergy on his left, emphasizing that Justinian is the leader of both church and state of his empire. The later insertion of the Bishop Maximian's name above his head suggests that the mosaic may have been modified in 547, replacing the representation of the prior bishop with that of Maximian's.
RAVENNA: itinerario di due giorni
In questo video vi racconto cosa fare in due giorni a Ravenna, una delle più belle città della Romagna, per molti una vera e propria eccellenza.
@ravennatourism @inemiliaromagnaofficial1771 @viralpassport4876
00:00 Introduzione
01:23 La basilica di Sant'Apollinare in Classe,
02:20 Il museo cittadino di Classe;
04:00 Il Mausoleo di Galla Placidia;
04:41 La basilica di San Vitale;
05:47 La domus dei tappeti di pietra;
06:28 Il battistero Neoniano;
08:00 Il MER;
09:50 La basilica di Sant'Apollinare Nuovo;
11:24 Koko Mosaico;
12:05 La basilica di San Francesco
12:35 La tomba di Dante
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